Edouard manet biography resumen del
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Stéphane Mallarmé
Artist(s)
Others accession number
Accession number
Description
huile sur toile
Dimensions
H. 27,2 ; L. 35,7 cm.
avec cadre H. 44,5 ; L. 52 cm
Inscription(s)
S.D.b.g., date inscrite postérieurement par Manet : Manet, 76
Place of conservation
musée d'Orsay
collection Stéphane Mallarmé (don de l'artiste)
collection Dr et Mme Edmond Bonniot (Mme Bonniot est née Geneviève Mallarmé)
1928, acquis par le Musée du Louvre avec le concours de la Société des Amis du Louvre et de D. David Weill (comité du 26/01/1928, conseil du 06/02/1928, arrêté du 25/02/1928)
1928, attribué au musée du Louvre
de 1928 à 1947, au musée du Louvre
de 1947 à 1986, au musée du Louvre, galerie du Jeu de Paume
1986, affecté au musée d'Orsay, Paris
Modality of acquisition
achat avec participation
Exposition des oeuvres de Edouard Manet - Ecole nationale supérieure des Beaux-Arts - France,
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Claude Monet
French painter (1840–1926)
"Monet" redirects here. For other uses, see konstnär (claude monet) (disambiguation).Not to be confused with Édouard Manet, another painter of the same era.
Oscar-Claude Monet (, ; French:[klodmɔnɛ]; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of Impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting.[2] The term "Impressionism" is derived from the title of his painting Impression, soleil levant, which was first exhibited in the so-called "exhibition of rejects" of 1874–an exhibition initiated by Monet and like-minded artists as an alternative to the Salon.
Monet was raised in Le Havre, Normandy, and became intereste
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Claude Monet was a key figure in the Impressionist movement that transformed French painting in the second half of the nineteenth century. Throughout his long career, Monet consistently depicted the landscape and leisure activities of Paris and its environs as well as the Normandy coast. He led the way to twentieth-century modernism by developing a unique style that strove to capture on canvas the very act of perceiving nature.
Raised in Normandy, Monet was introduced to plein-air painting by Eugène Boudin (), known for paintings of the resorts that dotted the region’s Channel coast, and subsequently studied informally with the Dutch landscapist Johan Jongkind (1819–1891). When he was twenty-two, Monet joined the Paris studio of the academic history painter Charles Gleyre. His classmates included Auguste Renoir, Frédéric Bazille, and other future Impressionists. Monet enjoyed limited success in these early years, with a handful of landscapes, seascapes, and portraits accepted for e