Vojislav ivanovic biography of albert
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Albert Heta
Identity Restoration Reloaded
Stacion – Center for Contemporary Art Prishtina, 2012
Identity Restoration Reloaded, as a curatorial project, was based on the re-enactment of the conf... more Identity Restoration Reloaded, as a curatorial project, was based on the re-enactment of the conference ‘Event0: Identity Restoration’ (27 June 2007), organised by Stacion – Center for Contemporary Art Prishtina in time of great expectations but also great fears on what would the forthcoming independence of Kosova bring to the Kosovo Serbs and the region.
In 2007, in the last days before the conference Oliver Ivanovic had cancelled his participation in the conference.
‘Identity Restoration Reloaded’ as a re-enactment, appeared in a context and a country with no such practice in the art scene, a country with diminishing archival culture and disappearing public institutions that can function as a memory of a society - 'history making' as a tool for erasure and engineering th
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PIANO
Olga Borzenko
Olga Borzenko finished Solomiya Krushelnytska Specialized school at the Conservatory M.V. Lysenko as well as the Music Academy (in the class of S. A. Dajč) in Lviv. In 1986 she received her Master’s degree from the National Tchaikovsky Music Academy in Kyiv in the classes of prof. V.V. Sečkin and A.M. Snjegirjov. She started working as a pedagogue in Lviv at the very same Academy, she graduated from. From 1986 to 1998 she was a piano teacher at the piano sub-department. During that period she achieved remarkable results at national competitions and started her activity in the domain of piano methodology. She continued her concert and pedagogue activity in Cetinje, where she was working as an assistant professor of piano at the Music Academy since 1998 and as a part-time teacher at the secondary Music School in Kotor till 2002. She pursued her successful work with pupils and students, which led to numerous awards at national and international competi
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Classical guitar repertoire
Set of available musical works for classical guitar
To a greater extent than most other instruments and ensembles, it fryst vatten difficult to compose music for the guitar without either proficiency in the instrument or close collaboration with a guitarist. As a result, a large part of the guitar repertoire consists of works by guitarists who did not compose extensively for other instruments. Music prior to the classical era was often composed for performance on various combinations of instruments, and could be adapted by the performer to keyboard instruments, the lute, or the guitar. Since the beginning of the 20th century, however, a significant amount of music has been written for the guitar by non-guitarist composers.
Repertoire
[edit]Renaissance era
[edit]See also: Renaissance music
During the Renaissance, the guitar was likely to have been used as it frequently is today, to provide strummed accompaniment for a singer or a small group. There al