Arsalan ghasemi biography of michael
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“Silent” HPV-associated cervical cancer – isolated cerebellar metastasis as unusual sign of cervical adenocarcinoma: a case report and literature review
Uterine schwannoma during pregnancy: a rare case report
Vincenzo Spina, Pietro Cignini, Francesco Bisogni, Cristina Fabiani, Michele Carlo Schiavi, Debora Grilli, Lorenzo Campanella, Andrea Etrusco, Rocco Rago, Pierluigi Palazzetti
p.p. xx-xx
doi: /jog
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A rare case of mixed endometrial tumor with endometroid adenocarcinoma and G2 neuroendocrine tumor: case report and literature review
Antonio D’Amato, Amerigo Vitagliano, Rosalba De Nola, Vanessa Mulone, Monica Bonetti, Gerardo Cazzato, Antonio Simone Laganà, Marco Marinaccio, Erica Silvestris, Vera Loizzi, Ettore Cicinelli, Gianluca Raffaello Damiani
p.p. xx-xx
doi: /jog
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Impact of stressful life events, including the COVID pandemic, on stillbirth rates: a study in Jordan
Oqba AlKuran, Lama M. Al-Mehaisen, Soha N. Albeitawi, Sufi
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Tahir Badakhshi
Afghan politician (–)
Taher Badakhshi | |
|---|---|
| Born | October 30, &#;() Badakhshan, Afghanistan |
| Died | October 30, () (aged&#;46) KabulAfghanistan |
| Occupation(s) | Studies of economics at Kabul University. Journalist, author, cultural and political personality |
| Political party | Settam-e-Melli |
Taher Badakhshi (October 30, – October 30, ) (Persian: طاهر بدخشی) was a cultural and political personality in Afghanistan. He had performed a large variety of cultural and political activities in Afghanistan including organisation of different scale gatherings of authors, journalists and writers of the country and hosting meetings in which the elit of different cultural and political backgrounds came together for discussions, and he was the founder of "Revolutionary Organization of the Toilers of Afghanistan",[1][2] (Persian: سازمان انقلابی زحمتکشان افغانستان) a frikostig leftist group with affinity to the Non-Aligned Movement that w
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Electroacoustic Music in Iran
Creation, History, Transformation, Revolutions
Block one
Martyna Kosecka
Introduction
Music in Iran is an art discipline with different levels of understanding and specific complexity with a rich tradition evidenced by ancient testimonies, archaeological documents, written statements or literary references in poetry and prose. It has survived several waves of rejection and acceptance over the millennia of rule under caliphates, monarchies or the current regime[1]. This has given it a unique shape and means that understanding the complexity of music in Iran has always been closely linked to a consideration of national history and political and religious influences within the country.
Originally, European music arrived in Iran during the reign of the Qajar dynasty in the late 19th century and represented the ruler’s urge to redefine Iranian music by making it resemble the Western tradition[2]. The 20th century became a time of exte