Biography de nicolas poussin biography
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Nicolas Poussin Biography
- Full Name:
- Nicolas Poussin
- Short Name:
- Poussin
- Date of Birth:
- 15 Jun 1594
- Date of Death:
- 19 Nov 1665
- Focus:
- Paintings, Drawings
- Mediums:
- Oil, Other
- Subjects:
- Figure, Landscapes, Scenery
- Art Movement:
Baroque
- Hometown:
Les Andelys, France
Nicolas Poussin is often described as the polar opposite of Caravaggio. As spontaneous, violent, and radical as the young painter of the Italian Baroque was, Poussin was temperate, stoic, and philosophical in equal measure. Poussin may have evidenced a melancholy disposition and a potentially diabolic temper that inevitably recalls Caravaggio's personality, but in reality this French artist represents the opposite end of the Baroque.
Poussin's biography paints a portrait of the artist as a relatively quiet, scholarly man who shunned lucrative public commissions in order to maintain total control over his art.
Nicolas Poussin was born in the town of Les Andelys in Normandy in June, 1594. His
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Summary of Nicolas Poussin
A Frenchman who spent almost his entire working life in Rome, Nicolas Poussin is known for popularizing elements from Greek and Roman Classical art through his works. He specialized in scenes from the Bible, ancient history, and mythology and his canvases are revered for their narrative intensity and their ordered approach to composition. Poussin is also admired for his strong use of color and rational and ordered, rather than emotional, approach to painting. He was able to demonstrate that art could be an intellectual pursuit and through his layering of meaning he produced paintings of extraordinary dramatic depth and allegorical complexity. Towards the latter part of his career, Poussin's art submitted to a further transformation as he diversified to depict landscapes and a series of allegories that were expressed through the harmonious forces of nature. Though his reputation declined in the first half of the 18th century, Poussin enjoyed something of
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Nicolas Poussin Biography In Details
The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper.
Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great d